Leksikon fun der Nayer Yidisher Literatur

לעקסיקאָן פֿון דער נײַער ייִדישער ליטעראַטור

His Jewish given name was Velvl-Dovid. He was born in Shavel (Šiauliai), Kovno district, into a family of cobblers. He studied in religious schools and in the municipal school (gorodskoye uchilishche). At age eleven, he began working in a factory. He later became a member of Yugnt-Bund (youth wing of the Bund). He came to the United States at the end of 1912, and he worked offloading cargo wagons, in a city foundry, at a furrier’s shop, and longer than elsewhere for a tailor. He came active in the amalgamated unions and in the Socialist Party. In 1917-1918 he organized the Arts Circle (together with Moyshe Shulvays and Sh. Daysel).

In 1918 he published in a radical periodical an essay under the pseudonym “Petronius.” In 1920 he began publishing essays about the male tailors in New York and their leaders in the Communist weekly

Kamf (Struggle) feuilletons about male tailors in New York and their leaders.

He published article in 1922 concerned with union issues in

the weekly Emes (Truth).

From 1924 to 1943 he was a consistent contributor to

Frayhayt (Freedom).

He also published articles in

Hamer (Hammer, New York),

Emes (Moscow),

Shtern (Stars, Kharkov), and

Prese (Press, Paris),

as well as in Argentinian and Canadian newspapers.

Among his pen names were: Slim Vili (Slim Willie), Dovid Marba, Rokhl Veyner, Dovid Mayerson, and Vov-alef [his initials].

Among his books are the following:

Di Yidishe Arbeter-Bavengung in di Fareynikte Shtatn fun Tsofn-Amerike (The Jewish Workers’ Movement in the United States of North America) (Kharkov, 1930) with a foreword by Shakhne Epshteyn;

A Patsh, Dertseylung (A Slap, Story) (New York, 1933), 31 pp.;

Revolutsyonerer Deklamator (Revolutionary Declamations), collected and edited with Kalmen Marmor (New York, 1933), 329 pp.;

Ikh Ney un Ney (I Sew and Sew) (New York, 1936), 223 pp.;

Hirsh Lekert (New York, 1938), 32 pp.

He edited (with editorial colleagues):

Yunyon Skver (Union Square) (Proletpen collection, New York, 1930);

Signal (Proletpen Journal, New York, 1933-1938);

Mir (We), together with Menke Kats and Yankev Stadolski (New York, 1944).